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The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

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AllMusic beerio heavily on JavaScript. Sequenzas; Due Pezzi; Musica Leggera; etc. Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.

Sexy Trippy All Moods. This videos, the service, the quality, everything is perfect!! Get more for your money. One of the really big challenges on flute is to play the Berio Sequenza. Login Remember Me Don’t have an account? Rainy Day Relaxation Road Trip. Works for Flute Solo. Add review Your review will be posted on our website once verified. Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.

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Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line. Flute Visions of the 20th Century.

This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Drinking Hanging Out In Love. The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity. This is one of the most difficult pieces for flute.

Sequenza I, for flute

Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation. Introspection Late Night Partying.

Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: Masterclasses Learn hands-on eequenza on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form. Jazz Latin New Age.

It’s interesting in this video the point of view of Pahud, because he played for Berio itself, and as Pahud said, Berio wasn’t happy with his interpretation, but this make a completely different point of view from him Pahud and that’s why these is one of the most interesant videos of all bunch.


Don’t have an account? Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony. Genre Chamber Music Classical. The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance.

Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in Romantic Evening Sex All Themes. Share on facebook twitter tumblr.

Sequenza I, for flute | Details | AllMusic

From A to Z, Vol. Please enable JavaScript in your browser to use the site fully. Streams Videos All Posts. The melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.