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Francisco Colasanto is the author of Max/Msp ( avg rating, 0 ratings, 0 reviews , published ). Francisco Colasanto is writing the second volume of his book. ISBN: pending. All rights reserved. Made in México. Translation: Roberto Becerra . Translation review: Tim Poulin. Cover design: Francisco Colasanto.

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Sep 27 8: Sign in to reply. Do you see a lot of Max usage in Spanish-speaking countries? Procedures, examples and levels of depth and complexity that controls the reader and allows then, whenever we need to rethink review. I’ve also read Todd Winkler’s book, but that was all. It is without doubt a final step in our attempt to show that in Mexico can be a space of international scope that can promote the creation, training and production, while it remains a public nature center.

Areas of activity Achievements Agreements Academic advisors Staff. The second will be entirely related to signal processes, i. In this interview, we get a chance to catch up with Francisco and learn more about his in-depth book as well as his work at CMMAS in Mexico and elsewhere.

Max 6: Interface

Somehow, in this new publication, all in the CMMAS, we had a work described as “satellite” because they constantly turn around work of Francis, who has become central to the existence and technical capacity of the Centre.

This project is a cornerstone for achieving this goal and I’m sure will be an important part of a change in the landscape for Spanish-speaking artists to which the text will provide the necessary information to join, so prepared and criticism, technological artistic medium internationally. This text complements the editorial efforts of CMMAS so unique in that it becomes the most ambitious training and research.


It also demonstrates a commitment to teaching and research seriously and I dare say is unique in its kind in Latin America and probably internationally.

You can expect a very detailed and step-by-step guide to get introduced in Max programming. Thus, it supports a form of learning that transcends specific versions and models.

How would you describe the teaching methodology used here? For CMMAS is a central step in the consolidation of the aspirations of becoming a space for reflection on what technology and its implementation means for creative work. There are several things worth mentioning.

Today, in a world of technology that becomes obsolete at birth, we wonder what the meaning of a text about a specific colasaanto. Artists working with Max are able to present their job there as well as at “Visiones sonoras”, our international music and new technologies festival that takes place every year in November. Manual authorization, support cases, and manual order processing will be delayed.

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Learn about our user conference Expo ’74 Coming in April I can remember myself spending many hours a day studying Max, and I did so for 5 years of my life. We can also include Brazil, as Brazilian Portuguese is close to Spanish, and many people will be able to read the book there.

I think this has been clearly identified by the author from the beginning, and the result is a compendium of strategies and examples updated on thought structures implemented so that changes and improvements in equipment and software versions do not affect significantly. Could you put a link back to us? You usually don’t learn German by reading Goethe or Italian reading Dante; instead, you start with simple phrases, sometimes a bit dumb, and usually without a specific daily use.


There was no Max literature into Spanish, and in fact I think my book is actually the first Spanish book on this topic. In the first instance could be identified as the result of the new phase of work CMMAS, where we try to actualize and utilize the latest technologies for the creation, dissemination and distribution of content.

Max/Msp: Guía de Programación para artistas – Francisco Colasanto • BookLikes (ISBN)

My intention was always to write a book that could be used by anyone wanting to get started with this, so the first chapter introduces the first concepts of Max and its interface. We’ve linked to you on BlogInterviewer. This text Francisco has made all Max can understand from a perspective that is useful to xolasanto as artists. As far as I know, there is no any other version in Spanish. I think the same happens when you learn Max.